Robyn Spady Series 2025

Craft Atelier is once again honoured to welcome Robyn Spady, one of North America’s most widely respected weaver and fibre educator, in Singapore in August. 

During this trip, Robyn will be offering four workshops and seven presentations, organized along the themes of Exploring Multi-Shaft Weaving and Elevating Your Weaving into Art & Couture. The range of programmes is designed with the intention to deepen the exploration, knowledge and skills of weavers, textile enthusiasts and fibre-artists in our community.

Robyn Spady Series (August 2025)

EXPLORATIONS IN MULTI-SHAFT WEAVING

Date Title of Workshop / Presentation
15 August (Fri)
10am to 5pm
1-Day Workshop: 
Block Party
16 & 17 August (Sat & Sun)
10am to 5pm
2-Day Workshop: 
Overshot - Much Ado About Something
16 August (Sat)
7pm to 9pm
Evening Presentation:
Four Shafts Aren't Complex? Au Contraire!
17 August (Sun)
7pm to 9pm
Evening Presentation:
Introduction to Double-Faced Weaves
19 to 21 August (Tue to Thu)
10am to 5pm
3-Day Workshop:
Extreme Warp
19 August (Tue)
7pm to 9pm
Evening Presentation:
Lace Weaves and the Rainbow Connection
20 August (Wed)
7pm to 9pm
Evening Presentation:
Deciphering the Drawdown
21 August (Thu)
7pm to 9pm
Evening Presentation:
The Devil's in the Details

 

ELEVATING YOUR WEAVING INTO ART & COUTURE

Date Title of Workshop / Presentation
23 & 24 August (Sat & Sun)
10am to 5pm
2-Day Workshop:
Designing and Weaving Couture Tweeds
23 August (Sat)
7pm to 9pm
Evening Presentation:
Couture Passementerie Through the Eyes of a Fiber Artist
24 August (Sun)
7pm to 9pm
Evening Presentation:
Jewelry, Trims & Braidings

Fees for the workshops and presentations are as follows:

  • $100 per person per session for the Evening Presentations*
  • $250 per person for 1-Day Workshop**
  • $600 per person for 2-Day Workshop**
  • $750 per person for 3-Day Workshop**

* Presentation fees include printed handouts prepared by Robyn Spady, light snacks and drinks.

** Workshop fees are inclusive of instructions and printed materials. Workshop participants are expected to provide their own looms, warp and weft materials. Warping instructions will be provided prior to the workshops.

We have limited capacity for both seminars and presentations due to the size of our studio. A small number of table and floor looms are available for rental, on a first-come-first-serve basis

Early bird discount of 10% applies to all sign-ups made before 31 March 2025.

Book Your Places Now!

Block Party

1-Day Workshop for Multi-Shaft Weavers

Do the terms “block design” and “profile draft” bewilder you? Are you interested in developing new patterns and pushing your loom to new limits? Whether you have a four-shaft loom and want to expand its potential or want to better understand what to do with all those shafts, then this workshop is for you!

Through presentation, discussion, and exercises, you will develop a practical understanding of blocks, profile drafts, and how to use them to create new exciting drafts. You will also examine the fundamental building blocks of many weave structures, including tied weaves, lace weaves, overshot, and Crackle, and how they can be manipulated into new designs and open up an unlimited number of new possibilities. You will even explore how to build your own block.

This is a lecture-style workshop. No loom is required for weaving. .

Overshot - Much Ado About Something

2-Day Workshop for Multi-shaft weavers

Overshot is more than most think. For this workshop, you will pre-warp their loom with an overshot pattern made uniquely for you. During the workshop, you will be introduced to the anatomy of your overshot pattern, including the role of the twill circle and fundamentals of developing treadling sequences known as ‘star’ and ‘rose’ fashion. Exploration of techniques for creating new patterns and variations will be covered.

Any four-shaft overshot draft can be transformed into a double weave and still only need four shaft. This is sometimes referred to as overshot-patterned double weave. Both sides have a pattern with a plain weave surface. During the workshop, you will also be taken through a step-by-step process going from a traditional four-shaft overshot draft to a double weave draft. Tips on making warping and weaving process easier and more efficient will be shared.

A multi-shaft loom with minimum of 4-shafts is required.

Extreme Warp

2-Day Workshop for Multi-shaft Weavers

Hate to warp, but love to weave? Want more versatility from a single warp? Then this is a workshop for you! In this workshop, you will warp their loom with your choice of one of three four-shaft threadings and perform an extreme makeover and weave it many different ways . . . from twill, lace, and overshot to swivel, corduroy, deflected weft, and double-faced. At the same time, you will be presented with the basics of different structures and how to adapt a single threading to weave a number of different weaves, including concepts such as star vs. rose fashion, weaving on opposites, and echo treadling.

A multi-shaft loom with minimum of 4-shafts is required.

Designing & Weaving Couture Tweeds

2-Day workshop for rigid heddle & multi-shaft weavers

One of the most iconic garments in the history of fashion is the French cardigan-style jacket made famous by Coco Chanel. But, have you ever thought about the fabric used in these jackets? They are so ‘weaverly’ in a variety of ways. Color and texture abound! And Chanel was not the only couture designer to use these amazing fabrics.

Designing and weaving tweeds in the 21st century is also liberating. You can go down a path of weaving with non-traditional materials for that little extra something special, eye-catching, or just plain . . . odd. In this workshop, Robyn will share with you exciting ideas for creating fabrics ready for a Paris runway. You will pre-warp your loom nearly all the way by leaving space here and there for some extra warp ends and finish warping in the workshop. Then unleash your creativity and explore the possibilities.

A rigid heddle loom or any multi-shaft loom is required.

  • Four Shafts Ain't Complex? Au Contraire!

    Who says weaving on four-shaft looms can’t be complex? Too many people! In fact, four-shaft looms are capable of much more than many weavers realize. Tapping into the potential of four-shafts helps weavers learn how to maximize undervalued looms and better understand how to exploit the capabilities of looms with more shafts. From turned swivel to integrated double weaves to finding the “fashionable” ways to weave a warp, this is an opportunity for participants to see just how amazing a four-shaft loom can be.

  • Introduction to Double Faced Weaves

    Double-faced fabrics have a different appearance on both sides.  There are numerous ways to create double-faced fabrics and many of these methods require only four shafts or less!  In this class, we will explore the fundamentals of how double-faced fabrics are created, how double-faced fabrics are distinguished from double weave fabrics, and how the majority of these methods don’t require more than one warp beam to weave.

  • Lace Weaves & the Rainbow Connection

    Traditionally, lace weaves are woven with the same yarn in the warp and weft. But, no more! Applying color in different ways can transform a simple lace threading into a versatile warp that can be manipulated in different ways with additional colors to create amazing fabrics. In this class, application of color in different lace weaves, such as Huck, Atwater-Bronson, and Swedish lace will be explored.

  • Deciphering the Drawdown

    Few weavers receive instruction in drafting when they originally learn to weave.  By understanding how a pattern is developed, a weaver will know why the pattern creates the design it does, reduce dependence on projects, create innovative designs, and understand how to augment the possibilities of a single threading by changing the tie-up, weft, and/or the treadling.

  • The Devil's in the Details

    Would you like to find ways to make your fiber art projects more intriguing or see different ways to incorporate fiber into other projects and set yourself apart as a fiber artist? Are you interested to know what catches a juror’s eye? Sometimes the most understated accent can make the difference between something ordinary and something

  • Couture Passementerie Through the Eyes of a Fiber Artist

    From Chanel and Balenciaga to the House of Worth and Ralph Lauren, passementerie has been a way to elevate a garment from something ordinary to something extraordinary. What is passementerie? It’s a French term without an English equivalent. Passementerie encompasses a multitude of techniques used to create embellishments. It includes the creation of buttons, cording, trim, garment closures, braiding, tassels, and much more.

    Modern-day uses of passementerie may be found in couture fashions, like the trim edging on French cardigan-style jackets made famous by Coco Chanel and the fashions seen in period films or shows, like Downton Abbey. Passementerie also appears on historical garments, military uniforms, and in high-end home interiors.

    In this session, Robyn Spady will share insight into how many couture fashion designers incorporated passementerie into their garments from the perspective of how simple some of the techniques are and how they could be easily recreated and adapted into our own wardrobes.

  • Jewelry Trims & Braidings

    Jewelry is one of the most cost-effective ways for channeling your creative ideas and materials into marketable items. Are your thrums taking over? Do you have bobbins full of yarns that you don't want to throw away? Do you have a small amount of a wonderful novelty yarn and want to turn it into something fun?

    In this session, Robyn will share ideas and simple techniques for transforming thrums, "weftovers", and novelty yarns into jewelry. You will even have the opportunity to enjoy some hands-on and try a couple of different techniques.

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About Robyn Spady

Robyn Spady was introduced to handweaving as a baby with her handwoven baby blanket woven by her great-grandmother. Inspired by her blankie, she learned to weave at a young age and has been weaving for over 50 years. She completed HGA's Certificate of Excellence in Handweaving (COE-W) in 2004 with the specialized study Loom-controlled Stitched Double Cloth. Robyn is fascinated by the infinite possibilities of crossing threads and loves coming up with new ideas to create fabric and transform it into something new and exciting. She is committed to turning the weaving world on to double-faced fabrics, four-shaft weaves, uncommon and advanced weave structures, and passementerie techniques. Robyn is also the founder and editor of Heddlecraft® magazine.

More About Robyn